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For those of you who don't know, the United States Department of Justice recently sued six companies -- namely, Apple, and the publishing houses Hachette, HarperCollins, Simon & Schuster, Macmillan, and Penguin -- for violating anti-trust laws for establishing a pricing model for e-books known in the industry as agency pricing.
Yeah, I know, you're probably looking at that sentence and thinking that it sounds like a foreign language. Which is why I've decided to write a small guide on the issue at hand and define some terms -- because this is going to be a battle that will be vitally important for writers as we move further and further into the digital age.
Disclaimer: Economics and legal studies are not my strong suits, so if I'm getting anything wrong here, or you have anything to add that might make these issues even clearer, please give me a nudge in the comments!
What is agency pricing, and why did publishing houses start using this model?
Agency pricing is one way of setting the price on merchandise. Basically, in this model, the producer of a good (in this case, the publisher) sets the price of that good (an e-book), and retailers (bookstores, including Amazon) are not allowed to change that price. These terms would be laid out in contracts that publishers have with bookstores to negotiate the terms of selling and distribution. For example, if Scholastic wanted to sell Harry Potter e-books for $6 apiece, Barnes & Noble could not put that e-book on sale for $4 -- it would have to remain $6, or Barnes & Noble would be in violation of its contract with Scholastic.
Publishing houses began using this model principally to undercut Amazon; they knew that if Amazon had the ability to continuously slash prices, popular e-books could be sold for pennies, to the detriment of the publishers' profits. Amazon, as a company, could probably still turn a profit even if their e-books department didn't break even, because Amazon also sells other things -- appliances, video games, clothes, you name it. Publishers, however, don't sell anything but books, and would have no recourse if their prices fell. By using agency pricing, publishing houses could set their own prices and ensure that they could still turn a profit from e-books.
What's wrong with the agency model?
Nothing, really, except for one little issue: the publishing houses who used the agency pricing model have been charged with violating anti-trust laws, because there is evidence that they colluded with one another in order to enforce agency pricing.
What does that mean? Sort of what it sounds like: Hachette, HarperCollins, Simon & Schuster, Macmillion, Penguin, and the Apple iBookstore plotted behind the scenes to have all of their e-book prices set in precisely the same way; that is, e-books with hardcover equivalents that are published by any of these companies might sell for $20, while e-books with paperback equivalents might sell for $10. The Department of Justice sees this backdoor-dealing as illegal, because under United States Anti-trust Laws, companies are not allowed to combine into an entity so powerful that it will essentially undercut all competition; the economic forces of supply and demand are supposed to dictate market price. Agency pricing, however, does not allow for fluctuations in price in the market. For example, if no one wants to read A Million Little Pieces, a bookstore might either want raise the price to turn a profit on the few books they do sell, or put it on sale so that more people will be enticed to buy it. Agency pricing obviously allows for neither.
So now what?
The Department of Justice, after an investigation, has sued all six companies. So far, HarperCollins, Hachette, and Simon & Schuster have agreed to settle with the government rather than go to court and spend what will probably be hundreds of thousands of dollars in legal fees. Apple, Penguin, and Macmillan are going to fight the charges in court.
The companies who are settling must void their any contracts involving agency pricing with retailers (although they can draw up new ones), and cannot fix prices on e-books for the next two years.
But what does this have to do with me?
If you're a writer, an awful lot. Although I personally have no doubt that Apple and the two other publishers will be found guilty of violating anti-trust laws, the trust is that these laws do have a benefit for more than just publishing houses -- they ensure that writers will get higher royalties.
Royalties are the payments that writers get every time they sell a book; authors are usually guaranteed a certain percent of the sales in their contracts. If profits fall, writers will be paid less, and therefore aren't guaranteed a large profit on any book they publish. Although the market might figure out a way for authors to still make good money off their royalties even without agency pricing, it's probably going to take a while -- and writers probably can't afford to wait that long.
With Amazon already moving to slash e-book prices and these companies preparing to battle it out with the United States government, the water can only get hotter.
Further reading
Publishing guru Mike Shatzkin has a much more literate explanation of agency pricing, as well as a number of other pricing models, at this blog.
How the Department of Justice got involved.
Attorney General Eric Holder's comments on the issue.
Yeah, I know, you're probably looking at that sentence and thinking that it sounds like a foreign language. Which is why I've decided to write a small guide on the issue at hand and define some terms -- because this is going to be a battle that will be vitally important for writers as we move further and further into the digital age.
Disclaimer: Economics and legal studies are not my strong suits, so if I'm getting anything wrong here, or you have anything to add that might make these issues even clearer, please give me a nudge in the comments!
What is agency pricing, and why did publishing houses start using this model?
Agency pricing is one way of setting the price on merchandise. Basically, in this model, the producer of a good (in this case, the publisher) sets the price of that good (an e-book), and retailers (bookstores, including Amazon) are not allowed to change that price. These terms would be laid out in contracts that publishers have with bookstores to negotiate the terms of selling and distribution. For example, if Scholastic wanted to sell Harry Potter e-books for $6 apiece, Barnes & Noble could not put that e-book on sale for $4 -- it would have to remain $6, or Barnes & Noble would be in violation of its contract with Scholastic.
Publishing houses began using this model principally to undercut Amazon; they knew that if Amazon had the ability to continuously slash prices, popular e-books could be sold for pennies, to the detriment of the publishers' profits. Amazon, as a company, could probably still turn a profit even if their e-books department didn't break even, because Amazon also sells other things -- appliances, video games, clothes, you name it. Publishers, however, don't sell anything but books, and would have no recourse if their prices fell. By using agency pricing, publishing houses could set their own prices and ensure that they could still turn a profit from e-books.
What's wrong with the agency model?
Nothing, really, except for one little issue: the publishing houses who used the agency pricing model have been charged with violating anti-trust laws, because there is evidence that they colluded with one another in order to enforce agency pricing.
What does that mean? Sort of what it sounds like: Hachette, HarperCollins, Simon & Schuster, Macmillion, Penguin, and the Apple iBookstore plotted behind the scenes to have all of their e-book prices set in precisely the same way; that is, e-books with hardcover equivalents that are published by any of these companies might sell for $20, while e-books with paperback equivalents might sell for $10. The Department of Justice sees this backdoor-dealing as illegal, because under United States Anti-trust Laws, companies are not allowed to combine into an entity so powerful that it will essentially undercut all competition; the economic forces of supply and demand are supposed to dictate market price. Agency pricing, however, does not allow for fluctuations in price in the market. For example, if no one wants to read A Million Little Pieces, a bookstore might either want raise the price to turn a profit on the few books they do sell, or put it on sale so that more people will be enticed to buy it. Agency pricing obviously allows for neither.
So now what?
The Department of Justice, after an investigation, has sued all six companies. So far, HarperCollins, Hachette, and Simon & Schuster have agreed to settle with the government rather than go to court and spend what will probably be hundreds of thousands of dollars in legal fees. Apple, Penguin, and Macmillan are going to fight the charges in court.
The companies who are settling must void their any contracts involving agency pricing with retailers (although they can draw up new ones), and cannot fix prices on e-books for the next two years.
But what does this have to do with me?
If you're a writer, an awful lot. Although I personally have no doubt that Apple and the two other publishers will be found guilty of violating anti-trust laws, the trust is that these laws do have a benefit for more than just publishing houses -- they ensure that writers will get higher royalties.
Royalties are the payments that writers get every time they sell a book; authors are usually guaranteed a certain percent of the sales in their contracts. If profits fall, writers will be paid less, and therefore aren't guaranteed a large profit on any book they publish. Although the market might figure out a way for authors to still make good money off their royalties even without agency pricing, it's probably going to take a while -- and writers probably can't afford to wait that long.
With Amazon already moving to slash e-book prices and these companies preparing to battle it out with the United States government, the water can only get hotter.
Further reading
Publishing guru Mike Shatzkin has a much more literate explanation of agency pricing, as well as a number of other pricing models, at this blog.
How the Department of Justice got involved.
Attorney General Eric Holder's comments on the issue.
A few things!
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I'm mostly not here these days, but I haven't forgotten about the annual holiday card exchange. :)
Drop me a note with your address if you'd like to exchange cards with me! I'll be checking my messages for the next two weeks to see. In the past, I've sent cards to LadyLincoln (https://www.deviantart.com/ladylincoln), Nichrysalis (https://www.deviantart.com/nichrysalis), HugQueen (https://www.deviantart.com/hugqueen), and julietcaesar (https://www.deviantart.com/julietcaesar), but I always love sending out more mail!
All's well on my end. Lots of traveling, which is unusual for me, but it's been fun -- Philadelphia for a conference a few weeks ago, and Salem, MA, for Thanksgiving with my fiance's extended family.
I've also bought my wedding dress!
Sometimes, you reach a point...
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...where it might be time for a change.
You've probably noticed that I haven't been around much in the past few weeks, and I'd be lying if I said that wasn't because of all the rapid changes deviantART is undergoing. The rebranding was something I could live with, but the shit with the staff and the Core Membership debacle have left a sour taste in my mouth. This place has always been about the people for me -- and although dA is a company, of course, it used to put people first, too.
I've made a ton of friends here that I don't want to lose, and I think you all knew that I've basically grown
DeviantArtist Questionnaire
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A real update is coming soon about the writers conference I was at last week (and I know a lot of you are dying to know how it was!), but until I can pull all of my many thoughts together, here's something to tide you over:
How long have you been on DeviantArt? Over 9 years. :stare:
What does your username mean? Mostly it means I thought mean ice cream was a funny concept when I was 15.
Describe yourself in three words. Prickly but sweet.
Are you left or right handed? Technically I'm a lefty, but my mom made me write with my right hand when I was a kid, and now I'm stuck like this. :laughing
Let's take a selfie
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Because pictures are fun!
"You can tell a lot about a person by what they write, but there are lots of other ways to get an idea of who they are. What they wear; what they read; what their room looks like; what posters they hang on their walls; what they keep in their bedside drawer. If you're like me, bored with answering the same questions, then feel free to jump in and show your watchers who you are in a different way. "
- SilverInkblot (https://www.deviantart.com/silverinkblot), the meme's creator
What to do:
Post a selfie
Post a photo of your bed.
Post a photo of your bookshelf.
Post a photo of one of your more unusual p
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And that's why I write screenplays and get paid a flat rate! (Never mind that you risk not getting paid at all, but you know, business is business. :/ )