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Literature
Rolling
Rolling, frothing sea,
Raging like the storm in my mind.
The waves clap like thunder,
But no one else can feel the storm.
Finally the curtain closes,
The lights come back on,
And a zephyr calms the air.
Literature
notesleep
playing my emphases like harp strings
your voice smokes thru the oaken bramble
pour a carbonated apology, a sun-stained
mile marked envelope, two ill-fitted birds,
hands small holes right before a rush of river
what it feels like being swallowed from the outside
crushing rings into truth serum, pretend
to be out of tune with that deception
I have been unable to parse my own persona
a pink cotton voice I remember thru the phone
I remember because it formed me into a granary
one crop after another of patriarchal idioms
whisper my secrets so softly into a glint of red hair
a saucer-eyed lace pattern cut into pine paper
I practice radical self lo
Literature
Shamayim
The ancient land of Shamayim
was wrought by El the ever-fair,
together with his favoured son,
Yeshua Gentle-Hands and their
beloved wisest counsellor:
a man called Ruach Breath-of-El.
And ne'er were three such faithful friends
and ne'er did three agree so well --
that aided one must aid them all.
Thus prospered wondrous Shamayim.
The people built a throne for El
of golden bough and silver limb
with crystal lilies trailing down,
all glowing in his brilliance.
They sang and danced and played for him
and reveled in his radiance.
Yeshua sat at his right hand
and 'twixt them oft was Ruach found.
Yet many times he wandered out
towards Shamayim's f
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EDIT 1/6/2010: More cleaning up because ~perceived-nobility is awesome.
EDIT 1/5/2010: Doing some cleaning up, thanks to *georgie-ludovic.
dA, I would like two things this new year: 1) a prosetry category, and 2) for text to format itself when I copy and paste it from Word.
Anyway, this is a very rough draft of a thing I'm writing for the boyfriend. It needs help, so please critique away. And I'm sorry if I've personally victimizing you with my mush.
+ What are the strongest sections of this piece? What are the weakest? How can I strengthen the weak parts, and/or what should I cut out? I feel like iii is weaker than the others, but what do you think?
+ Is the writing clear enough, or do I have too many flourishes in certain places? What feels a little too overwritten?
+ How's the formatting? Too much/too all over the place?
+ Whatever else you want to throw in there.
EDIT 1/5/2010: Doing some cleaning up, thanks to *georgie-ludovic.
dA, I would like two things this new year: 1) a prosetry category, and 2) for text to format itself when I copy and paste it from Word.
Anyway, this is a very rough draft of a thing I'm writing for the boyfriend. It needs help, so please critique away. And I'm sorry if I've personally victimizing you with my mush.
+ What are the strongest sections of this piece? What are the weakest? How can I strengthen the weak parts, and/or what should I cut out? I feel like iii is weaker than the others, but what do you think?
+ Is the writing clear enough, or do I have too many flourishes in certain places? What feels a little too overwritten?
+ How's the formatting? Too much/too all over the place?
+ Whatever else you want to throw in there.
© 2011 - 2024 SadisticIceCream
Comments11
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I reckon there's a lot of really good stuff mixed in with a lot of quite cliche stuff. This might work considering your main audience - your boyfriend - who may be perfectly happy with dollops of extra mush because love is like that <img src="e.deviantart.net/emoticons/s/s…" width="15" height="15" alt="" title=" (Smile)"/> But from a more artistically objective perspective I reckon you could cut out about half of this, smooth the rough edges obviously, and have a much tighter and more genuinely original love poem.
eg.
I am telling you these things.
[I am telling you about] << I don't think these words are strong enough to bear immediate repetition - all the ways you have made me this cliché, this poor metaphor of you
[getting under my skin, stealing my breath] << I know you've mentioned cliche, but these are very boring cliches - , taking up the largest
space in my heart where you've curled your long limbs to make
them fit. Sleep quietly there among the valves and vessels,
atria molding around your body. << Better. You've alborated on the cliche in an interesting way</i> -
Holding you.
I am telling you about all the ways you have slipped into the empty spaces of my body, </i>[the blanks I had not known about and filled them in] << you're saying the same thing twice using the same metaphor:
suturing wounds, smoothing over scars and ragged edges, pressing palms
against the dying bruises <<better! again!, - whispering? whispering? eh, just not the most exciting verb. I'd actually prefer "saying" which is at least more discreet, but it's up to you,
This is what I do. I will not go away.
I don't say it, but I know.
I like the description of a mouth saying the word love in iii. But the stanzas after it (in iii.), again, get a little dull.
In v. I think You catch me is very misleading; I catch you (though you might want to change "catch" to another verb) would make more sense. Three of the the four images in the next stanza are fantastic. But the smell of you caught in my sheets is boring!
Like I say. Things that are dull to general readers are not always boring to lovers. Depends exactly what you want from the poem. But I think there are really strong bits fighting against some not so strong bits, and I reckon a good trim would sort it out.
(also, ignore star ratings)
<img src="e.deviantart.net/emoticons/s/s…" width="15" height="15" alt="" title=" (Smile)"/>